I asked my blogging friends to weigh in on a question that is only a little facetious: In your consumption of media, which is better--to be triggered, to be a token or to be erased?
Let me explain.
During the hiatus of HBO’s True Blood, Renee, Paul and I have been exploring other representations of the urban fantasy genre--from book series to the teen angsty CW show Vampire Diaries. In doing so, we have confirmed what we already suspected: That is that the genre is notoriously bad at characterizations that are not of the white, straight, male variety. (Making it much like, y’know, every other genre.)
One sentiment that has come up again and again--mostly after suffering some appalling portrayal of people of color or the GLBT community in some book--is “Y’know, I’d rather [insert author’s name here] would just quit writing about [insert marginalized group here].”
For me, this frustration is usually borne of being othered and disrespected, when I simply aimed to be entertained by a trashy novel or TV show. I dipped into Charlaine Harris’ Aurora Teagarden series, hoping to enjoy the books as I enjoy the TV series based on Harris’ Sookie Stackhouse series. Instead, I got a bunch of thinly-written, triggering stories where all women (but the protagonist) are routinely judged harshly and women like me (black women) are alternately sassy or angry or dead or running from the law, and blackness or Jewishness or gayness or any other “ness” that is not small-town and conservative and Southern and Anglo and Christian is to be frowned at or remarked upon or, best, hidden. And so, instead of enjoying a cozy mystery in my downtime, I wound up feeling uncomfortable and marginalized.
It is times like these when I find myself thinking that it would have been better if black women were absent from the narrative altogether. Sometimes there is comfort in erasure. I mean, even a blandly-drawn token black character, like Bonnie on Vampire Diaries, can be intrusive to my experience. Because I look at her presence in a show that genuflects to the antebellum South and plantation-owning families, while at the same time not mentioning the black community that must still exist in the town, and suspect she is a black-culture-free cypher added simply to be inclusive.
When I, a black woman, am consuming media created by mostly non-black writers, dealing with erasure is sometimes easier that dealing with how a book or film or TV show reflects the dominant culture’s biased views about me.
Media, at its best, is a powerful tool that can change the way groups are perceived by the masses. But media is too rarely at its best. So...
Are bad, biased or token portrayals better than no portrayal at all?